律学
律学（Musical temperament）音乐学的重要组成部分，研究律式产生，定量，测量，数学表达及相关自然属性的交叉学科。[1]
历史沿革
最早记载可及春秋时的三分损益律。
参考
- Music: a Mathematical Offering (mathematical perspective with two chapters on temperament) by Dave Benson
- Tuning And Temperament A Historical Survey (1951) by J. Murray Barbour
- Essay on Musical Temperament (part 2) by Prof. Fisher (Yale College)
- "Temperament" from A supplement to Mr. Chambers's cyclopædia (1753)
- Theory and practice of just intonation (1850) by Thomas Perronet Thompson
- Elements of musical composition: comprehending the rules of thorough bass and the theory of tuning (1812) by William Crotch
- An essay on temperament (1832) by J. Jousse
- Essay on musical intervals, harmonics, and the temperament of the musical scale, &c (1835) by Wesley Stoker B. Woolhouse
- Harmonics, or The philosophy of musical sounds (1759) by Robert Smith (1689-1768)
- Modern organ tuning : the how and why? by Hermann Smith (1824-1910)
- Piano Tuning: A Simple and Accurate Method for Amateurs by Jerry Cree Fischer
- The organ viewed from within : a practical handbook on the mechanism of the organ, with a chapter on tuning by John Broadhouse
- Construction, Tuning and Care of the Piano-forte (1887) by Edward Quincy Norton
- Regulation and Repair of Piano and Player Mechanism, Together with Tuning as Science and Art (1909) by William Braid White
- Modern piano tuning and allied arts (1917) by William Braid White (1878-1959)
- Biddle, Horace Peters. . Oliver Ditson & Company. 1867.
注释
- 佛教中的戒律、持戒理论，法学中的立法理论也有时被简称“律学”。
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