數學搖滾

數學搖滾
風格起源	实验摇滚、独立摇滚、后硬核、后朋克、噪音摇滚、简约音乐、前卫摇滚、艺术摇滚、先锋爵士
文化起源	1980年代后期美国（芝加哥、匹兹堡、圣迭戈和洛杉矶）及日本
典型樂器	人声、吉他、贝司、鼓
融合類型
	数学核
地區樂壇
	芝加哥 - 圣迭戈 - 美国南大西洋地区 - 匹兹堡 - 波士顿 - 圣路易斯 - 日本
其他主題
	后摇滚 - 简约音乐 - 器乐摇滚

數學搖滾曲風大多混合噪音搖滾（noise rock）、後搖滾（post rock）、前衛搖滾（progressive rock）、簡約音樂（minimal music）、電子音樂（electronic music）等。它的一個特點是編曲複雜，經常使用不規則停頓或開始、不自然節拍結構（odd time signatures）、棱形旋律（angular melody）、對位法（counterpoint）、延伸和弦（extended chords）、不協調和弦（dissonant chords）、非典型和弦進行（atypical chord progression）。一般搖滾樂都以 4/4 拍作歌曲結構，而數學搖滾則頻繁使用不對稱節拍，如 7/8 拍, 11/8 拍, 13/8 拍，並於歌曲中交錯換拍，[注 1][1]例如一小段 9/8 拍，轉換至 8/8 拍，再轉換至 6/8 拍，讓聽眾有錯摸的詭異感覺。又例如，在同一首樂曲使用 3/4 拍的鼓、4/4 拍的結他、3/4 拍的低音結他，卻讓每樣樂器巧妙地於不同音軌上「對在一起」，聽起來又順暢不礙耳[2]。因為此類樂曲節奏的複雜度被眾多聆聽者與樂評視為如同數學一般的特徵，故有此名稱[注 2]。

數學搖滾（英語：），或稱“數字搖滾”，是一種實驗性的搖滾風格，80年代後期萌芽於美國。

數學搖滾樂團列表

日本

Aburadako（あぶらだこ章魚）
Boredoms
Lite
mudy on the 昨晩
rega
Ruins
té
the band apart
Tricot
Toe
Zazen Boys
Zeni Geva
凛冽时雨
YOASOBI

韩国

Frenzy（프렌지）
DogStar
ssighborggg

香港

觸執毛（Chochukmo）
小紅帽 (silhungmo)
話梅鹿 (Prune Deer)
TFVSJS[注 3]
雞蛋蒸肉餅（GDJYB）
Emptybottles
Naked and Lay

台湾

錫盤街
大象體操（Elephant Gym）
既視感（Kishikan）
體熊專科（Major in Body Bear）
AROB

中国大陆

岩漿公牛海（Lava|Ox|Sea）
Chinese Football
Duck Fight Goose
荷爾蒙小姐
She Never Sings Our Songs
Fayzz
大七乐团
文雀
鬼否樂團 Griffo

泰国

Two Million Thanks

注释

英文维基百科页面“Math rock”原文：

Math rock is a rhythmically complex, often guitar-based, style of experimental rock and indie rock acts that emerged in the late 1990s, influenced by progressive rock bands like King Crimson, as well as 20th century minimalist composers such as Steve Reich. It is characterized by complex, atypical rhythmic structures (including irregular stopping and starting), counterpoint, odd time signatures, angular melodies, and extended, often dissonant, chords. Whereas most rock music uses a basic 4/4 meter (however accented or syncopated), math rock frequently uses asymmetrical time signatures such as 7/8, 11/8, or 13/8, or features constantly changing meters based on various groupings of 2 and 3.

英文维基百科页面“Math rock”原文：

This rhythmic complexity, seen as "mathematical" in character by many listeners and critics, is what gives the genre its name.
TFVSJS的Facebook專頁

資料來源

Carew, Anthony. . ThoughtCo. [2019-05-13] （英语）.

Math-rock is a sound whose roots trace back to the American hardcore scene of the late-'80s.… Math-rock is, as its name suggests, renowned for its complexity. Where rock'n'roll is eternally stuck in 4/4 time, math-rock bands deliberately employed strange meters like 7/8 and 11/8. Bands flaunt virtuosity, not as individual players, but as a unit: stopping and starting at irregular intervals, turning on a dime and breaking in new, unexpected directions as one.

. INK 印刻文學出版. ISBN 9789866631818.

This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.

[1] 英文维基百科页面“Math rock”原文：

Math rock is a rhythmically complex, often guitar-based, style of experimental rock and indie rock acts that emerged in the late 1990s, influenced by progressive rock bands like King Crimson, as well as 20th century minimalist composers such as Steve Reich. It is characterized by complex, atypical rhythmic structures (including irregular stopping and starting), counterpoint, odd time signatures, angular melodies, and extended, often dissonant, chords. Whereas most rock music uses a basic 4/4 meter (however accented or syncopated), math rock frequently uses asymmetrical time signatures such as 7/8, 11/8, or 13/8, or features constantly changing meters based on various groupings of 2 and 3.

[4] 英文维基百科页面“Math rock”原文：

This rhythmic complexity, seen as "mathematical" in character by many listeners and critics, is what gives the genre its name.

[5] TFVSJS的Facebook專頁

[2] Carew, Anthony. . ThoughtCo. [2019-05-13] （英语）.

Math-rock is a sound whose roots trace back to the American hardcore scene of the late-'80s.… Math-rock is, as its name suggests, renowned for its complexity. Where rock'n'roll is eternally stuck in 4/4 time, math-rock bands deliberately employed strange meters like 7/8 and 11/8. Bands flaunt virtuosity, not as individual players, but as a unit: stopping and starting at irregular intervals, turning on a dime and breaking in new, unexpected directions as one.

[3] . INK 印刻文學出版. ISBN 9789866631818.