殘酷紀錄片
残酷纪录片(英語:)是剥削电影及紀錄片的子流派。許多殘酷記錄片的製作方式类似于伪纪录片,通常描绘煽情的话题、场景或情景。這些電影的共同特点包括强调禁忌话题(如死亡和性)、异域风情(这已引起种族优越感或种族主义的指责)的描写[1]和上演表现为真正的纪录片镜头画面。随着时间的推移,这类电影越来越注重拍攝死尸和死亡的畫面(无论真假),也因此被稱為死亡電影。此外,“震惊纪录片”(shockumentary)也用于描述该类电影。[2]
参见
参考资料
- Kerekes & Slater, p. 108.
- Mondo New York (1988) The New York Times,
参考书目
- RE/Search No. 10: Incredibly Strange Films: A Guide to Deviant Films. RE/Search Publications 1986, ISBN 0-940642-09-3
- Brottman, Mikita: Mondo Horror. Carnivalizing the Taboo. In: Prince, Stephen (ed.) 2004: The horror film. S. 167-188. New Brunswick: Rutgers University Press. ISBN 0813533635.
- Goodall, Mark 2006: Sweet & Savage. The World Through the Shockumentary Film Lens. London: Headpress. ISBN 978-1900486491. (the standard work on the mondo and cannibal genre)
- Goodall, Mark 2006: Shockumentary Evidence. The perverse politics of the Mondo film. In: Dennison, Stephanie (Hg.) 2006: Remapping world cinema. Identity, culture and politics in film. S. 118-128. London: Wallflower. ISBN 978-1904764625.
- Kerekes, David; Slater, David 2006: Killing for culture. Death film from Shockumentaries to snuff. Manchester: Headpress. ISBN 1900486636.
- Stefano Loparco, 'Gualtiero Jacopetti - Graffi sul mondo'. The first complete biography dedicated to the co-director of 'Mondo cane'. Il Foglio Letterario, 2014 - ISBN 9788876064760
- Shipka, Danny 2011: Perverse titillation. The exploitation cinema of Italy, Spain and France, 1960-1980. Jefferson: Mcfarland. ISBN 978-0786448883.
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